I still have a flame gun / For the cute cute cute ones / And I saw your hand / With a loose grip / On a tight ship / I still have a flame gun / For the cute ones / To burn out all your tricks / And I saw your hand / With a loose grip / On a very tight ship / And I know / That in the cold light / There's a very big man / There's a very big man / Leading us into / Temptation / Jackson, Jesse, I've got a son in me / Jackson, Jesse, I've got a son in me / And he's related to you / He's related to you / He is waiting to meet you / He's related to you / He's related to you / He is dying to meet you / Backhand, role reversal / Where is someone / Backhand, reversable roles / I know there's someone / I still have a flame gun / For the cute ones / To burn out all your tricks / And I saw your hand / With a loose grip / On such a tight ship / And I know that in the cold light / Is a very big man / Leading us into / Temptation / Jackson, Jesse, I've got a son in me / Jackson, Jesse, / I've got the son in me / And he's related to you / He's related to you / He / is waiting to meet you / He's related to you / He's related to you / He is dying to meet you / He's related to you, he's related to you / He's related to you, he's nude as the news / Nude as the news, nude as the news, nude as the news / All over, all over, all over, all over, all over, all over, all over you
Vidro Azul ("Blue Glass")
Vidro Azul ("Blue Glass"): its broadcastings began in RUC-Radio University of Coimbra, later extending to Radio Radar, and now on Radio SBSR. In its two-hour duration, this author’s project explores melancholic sonorities also experimenting, boundarylessly, with beautiful ethereal landscapes. Through several genres ranging from folk, glitch, indietronica, neoclassical, ambient, jazz, indie pop, minimal among others, themes are blended in an intentional attempt to create a coherent harmony.
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